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The Rise and Fall of Cabbage Hill’s Movie Theater

Jim Gerhart, March 2020

Movies, or moving pictures as they were first known, were invented in the 1890s. Within ten years, theaters devoted to showing movies began to proliferate. The first four large movie theaters in Lancaster were built between 1911 and 1914. They were the Colonial, Hippodrome, and Grand on North Queen Street, and the Kuhn on Manor Street. The three downtown theaters were more opulent and charged higher prices than the Kuhn, which was established to serve the working-class southwest Lancaster neighborhood.

The Kuhn Theatre, also sometimes known as Kuhn’s Theatre, opened in March 1911. Adam Kuhn was a German immigrant who attended St. Joseph’s Catholic Church, and who for many years, ran a successful bakery on East Chestnut Street. After much of his bakery was destroyed in a fire, he decided to retire from the baking business and venture into the new movie-theater business. He sold the damaged bakery in September 1910 and a month later he used the proceeds to buy a large lot in the 600 block of Manor Street for $1,950 (the lot was actually purchased in the name of Mary, his wife). On that lot, Kuhn built the Kuhn Theatre, which would eventually become the Strand Theatre and continue showing movies until 1962.

The Kuhn was located at 605-609 Manor on a large lot that extended to Reiker Avenue, and it stood nearly alone on that part of the block when it was first built. The brick theater had 40 feet of frontage on Manor, widening to 70 feet where the screen and stage were at the rear of the building. The building was 205 feet long, with a two-and-a-half-story brick house attached to the rear of the theater, in which the Kuhn family lived. The original theater, which could seat 400 people, was heated by steam and had both gas and electric lights. (The former site of the now demolished theater is a parking lot next to B&M Sunshine Laundry.)

Adam Kuhn’s new career in the movie-theater business did not last very long. He died in the fall of 1912. Edward J. Kuhn, Adam’s son, took over ownership of the theater. Like most movie theaters in the early days, it not only offered movies, but also offered other types of entertainment such as vaudeville acts and band music. Kuhn also rented out the theater for use by others; one example was the Salvation Army for evangelistic services in 1914.

The movies shown at the Kuhn were quite primitive, black-and-white, silent movies that featured exaggerated acting and were usually about 15-45 minutes long. Each movie consisted of one to three reels of film; if there was more than one reel, the projectionist had to rewind and change the reels while the audience waited. The movies were accompanied by live piano music. Kuhn charged a nickel for most movies, and a dime for special events.

Edward Kuhn operated the theater through 1913, but in early 1914, he put the theater up for sale at auction. The advertisement for the public sale, held in the theater in February 1914, noted that the theater had been “a good money maker”. The highest bid was $15,000, but that was less than Kuhn thought it was worth, so the theater was withdrawn from sale. Kuhn tried again two weeks later, but again the theater was withdrawn from sale. Six months later, in August 1914, the theater was seized and sold to cover Kuhn’s debts. The Northern Trust Company bought the theater for $7,300. A couple months later, in October 1914, the Northern Trust Company sold it to two theater operators from Philadelphia for $8,300.

The two new owners, Peter Oletzky and Michael Lessy, changed the name of the theater to the Lancaster Theatre, and continued to offer movies and other forms of entertainment while remodeling the theater and increasing the seating capacity to about 900. By January 1916, a new theater manager had been brought on from Philadelphia. While movies were still the theater’s mainstay, other large events were held to augment the theater’s income. One such event was an April 1916 show put on by the Eighth Ward Minstrels accompanied by the St. Joseph’s Church orchestra and choir that attracted more than 1,000 people.

A big change in the program of the Lancaster Theatre was the addition of boxing matches. A boxing ring was set up on the stage for these events, and well-known local and regional boxers would stage matches that attracted packed houses. One example was a bout between Cabbage Hill’s own Leo Houck and Dummy Ketchell of Baltimore.

The Lancaster Theatre got another new manager in October 1916, and he announced a new policy of “musical comedy playlets of the higher class and unexcelled photoplays”. The opening act under this new policy was Rowe and Kusel’s Big Girlie Musical Review, an act that may have indeed been a change for the family-oriented audiences of the Hill. Prices were 5, 10, or 15 cents, depending on the seats. On the downside, because of competition from other attractions in the summer months, the Lancaster Theatre closed down for the entire summer in 1917.

By the spring of 1919, the theater had changed hands again, and was doing business under the name of the Manor Theatre. Movies and boxing matches continued to be the two main draws. Movies had become much more sophisticated in the eight years since the theater had opened. They were still silent, but they had become longer, with more natural performances, and instead of anonymous actors, they now had recognizable stars who drew people to their movies. They also were now being made in Hollywood, California, instead of New York and New Jersey.

Other attractions drew crowds as well, such as a 7-foot eel caught by George Schaller, a neighborhood cigarmaker, in January 1920. Schaller put the eel in his backyard to freeze it solid, and then put it on display in the Manor Theatre. However, a monster eel was apparently not enough to meet the Manor’s profit expectations, and the theater was sold again in the spring of 1920, this time to George Bennethum of Philadelphia for $15,000. He remodeled the theater, updated its projection equipment, and changed the name of the theater to the Strand, a name it would keep until it closed 40 years later. Movies were still the staple, but boxing and other events also were staged. For instance, in the winter of 1921-22, the Duquesne Boxing Club leased the theater for its winter season of matches.

In 1928, the Strand Theatre was sold to Harry Chertkoff, a Latvian immigrant who would own it until he died in 1960. Chertkoff went on to own numerous other theaters in Lancaster County, including the King Theater and the Sky-Vue and Comet drive-ins. His first infrastructure improvement at the Strand was to outfit it for sound to accommodate the industry’s switch to movies with soundtracks. Chertkoff also made major renovations to the Strand in 1933 with the addition of improved acoustics and speakers, and again in 1939 with air conditioning and new seats. He also continued the practice of keeping prices as low as possible. In 1948, when Lancaster City instituted a 10% amusement tax, Chertkoff upped his prices to a still modest 37 cents for adults and 15 cents for children.

After Chertkoff’s death in 1960, his son-in-law Morton Brodsky took over his business interests. The Strand had been losing money for several years, probably related at least partly to the rising popularity of television. In 1962, the theater stopped showing movies, and Brodsky decided to sell the property. While searching for someone to buy the lot and building, Brodsky proceeded to sell the seats, projection equipment, and screen. When the theater building didn’t sell, he decided to just tear it down, and in November 1964, the Strand was demolished. Brodsky stated that he was exploring several options for the site, but in the short term it would be graded and used for parking, which turned out to be the long-term plan as well, as the site is still a parking lot today.

The Kuhn/Lancaster/Manor/Strand Theatre was Lancaster’s only neighborhood theater; all the others were downtown. It was the entertainment center of the Hill, providing movies and other amusements at reasonable prices to Hill residents for more than 50 years. Many a child had his or her early movie experience in the theater, including yours truly in the early 1960s. The 1964 demolition of the last incarnation of the theater, the Strand, not only left a physical gap in the 600 block of Manor, but also a gap in the social and cultural environment on the Hill.

Schoenberger’s Park and the Meadow Gang

Jim Gerhart, February 2020

Before Farnum (now Culliton), Rodney, Brandon, and Crystal Parks in southwest Lancaster City, and before larger regional parks such as Rocky Springs, People’s, and Maple Grove, there was a large park known as Schoenberger’s Park on the eastern edge of Cabbage Hill. It was a popular place for various family and social gatherings in the 1870s and 1880s. Unfortunately, it also was home to a gang that plagued the park and all of southern Lancaster for many years.

William August Schoenberger was three years old in 1851 when he immigrated to Lancaster from Baden-Wurttemberg, Germany, with his parents, August and Catharine Schoenberger. His father was a wealthy brewer, and William learned the brewing trade working in his father’s saloon on the east side of North Queen Street above Orange.

In 1869, when William was 21, he purchased a little more than nine acres of rugged land on the eastern slope of Cabbage Hill just west of Hoffman’s Run. Hoffman’s Run was a stream that ran north-south along Water Street until its last surviving reach was buried in a sewer in the late 1800s. The nine acres that Schoenberger bought was a mixture of meadows and woods, and was bounded on the west by what is now the southern leg of New Dorwart Street, on the north by the old gas works, on the east by Hoffman’s Run, and on the south by Hazel Street.

By the early 1870s, Schoenberger had built a two-story brick hotel with six rooms and a saloon, which became known as Schoenberger’s Hotel. The hotel was on a level spot on a slight rise on the west bank of Hoffman’s Run, behind what is now the Spring House Brewing Company. A boarded-up, cinder-block warehouse stands near the site now. Schoenberger built a large beer vault that was used to store his beer, as well as the beer of other Lancaster breweries, most notably Wacker Brewery. The beer vault was 68 feet long, 20 feet wide, and 14 feet high, with an arched ceiling. Schoenberger left the rest of the land in meadows and woods, creating a park-like setting that would attract the residents of Lancaster.

The entrance to Schoenberger’s Park was a bridge over Hoffman’s Run about 200 feet south of Conestoga Street, due south of what is now Conlin Field in Culliton Park. An avenue shaded by planted trees wound its way through a meadow along the west bank of Hoffman’s Run and then up a slight rise to the hotel. The hotel, which had gardens of flowers planted around it, was on the edge of the more rugged, steep, forested part of the park to the west. A wooden dance floor encircled a large tree near the hotel. An old-timer, Charles A. Kirchner, recalled in 1938 that “people went for walks and picnics in the park”, and that it was “a beautiful place with grass and trees—some fruit trees…”

In addition to a place for people to take walks and enjoy picnics, the park quickly became a popular spot for larger gatherings. In the 1870s, various clubs and other organizations held events there. Many of the events were “sociables” that involved music and dancing, organized by groups such as the Eighth Ward Club, the Sun Steam Fire Engine and Hose Company No. 1 (William Schoenberger was a member), and the Keystone Drum Corps. Daniel Clemmens’ City Band, the Fiddlers Three, and Godfried Ripple’s String Band were some of the providers of dance music. Other events included political rallies (the Meadow Reform Club of the Fourth Ward), pigeon shoots with turkeys as prizes, and Temperance Mass Meetings. One well-attended event was an ox roast in honor of the visiting Allentown Cornet Band.

William Schoenberger was deep in debt by 1876, and his park, along with his hotel, had to be sold at auction to repay his debts. Benjamin Greider bought the property at a sheriff’s sale. Schoenberger moved back in with his widowed mother at his late father’s saloon on North Queen and helped run the saloon there for a few years. Eventually, he had a long career as a bank messenger for the Lancaster Trust Company, dying at the age of 73 in 1922. The park continued to be known as Schoenberger’s Park for another 15 years after Schoenberger last owned it, but the hotel became known as Snyder’s Saloon when Greider brought on Michael Snyder, and then Michael’s son Adam, to run it, which they did into the late 1880s.

The park and its hotel had a good run in the 1870s and 1880s, but the combination of wayward young men, a secluded wooded setting, and beer, often led to violence and criminal activities. As early as 1875, drunken fights broke out and people were injured, thieves broke into the beer vault and stole kegs, and passersby were harassed and assaulted. The saloonkeepers didn’t always help their cause, as both Schoenberger and the Snyders were charged with selling beer on Sundays, which was against the law.

Things got even worse with the rise of the Meadow Gang in the late 1870s. A group of several dozen young troublemakers took advantage of the relative remoteness of the park to make it their hangout. By the mid-1880s, incidents were happening with increasing frequency. The city police could spare little manpower to the “suburbs” of southern Lancaster, but they tried to respond when they could. Often when the police were summoned, by the time they got to Schoenberger’s Park, the Meadow Gang was long gone.

Some of the nefarious activities of the Meadow Gang included: Saloonkeeper Michael Snyder was injured when hit by a chair in a fight with the Meadow Gang. A large amount of lead was stolen by the Meadow Gang from a plumbing shop on South Queen. A young man was seriously injured in a fight between the Meadow Gang and some young men from the Schiffler Fire Company. The Meadow Gang threatened to kill a man who had leased part of the park for grazing his cattle. Five members of the Meadow Gang were arrested for breaking into a railroad car near Hazel. The Meadow Gang ran a plow through a nearby field of tobacco and potatoes, damaging the crops.

One particularly nasty incident caused an uproar among the people of the city, and probably had something to do with the decline of the park. In the summer of 1885, a young girl 16 or 17 years of age claimed to have escaped from the Meadow Gang after having been held by them for two months in the area of the park. She claimed that she had been poorly fed and assaulted numerous times. Subsequent investigation into her claims revealed some inconsistencies in her story, to the point that it was not clear exactly what had actually happened. However, the damage had been done, the public was outraged, and the reputation of Schoenberger’s Park suffered.

The Meadow Gang was active in the park and the rest of southern Lancaster well into the early 1900s, with some of the same men staying active in the gang for more than 20 years. Even as late as the early 1920s, the Meadow Gang was still causing sporadic trouble. By the late 1920s, however, the gang disappeared from the scene. Strangely, as time passed, memories of the Meadow Gang seemed to soften, with their less severe antics remembered somewhat fondly and their more serious crimes downplayed.

In 1931, one Lancaster newspaper even did a feature story on the old Meadow Gang, with a headline, “Meadow Gang 1880s Flaming Youth”, comparing them to the harmlessly rowdy youth of the Roaring Twenties. In the article, an original member of the Meadow Gang was interviewed and claimed that the more serious crimes attributed to the gang had not actually been committed by its members. According to him, they were just young men acting out, with no serious offenses to their name. True or not, the Meadow Gang was instrumental in changing the park from a nice place to visit to a dangerous adventure.

The park was purchased by Stephen Owens in 1889, and a small limestone quarry was opened on its western edge, on the lower slope near the hotel/saloon. Owens then sold part of the park to the Lancaster Gas Light and Fuel Company in 1895 to expand the gas plant. By the mid-1890s, the hotel was gone, and much of the land was subdivided for building lots. Streets were laid out and houses began to be built on the slope above where the hotel had been. The 25-year run of Schoenberger’s Park was over. By then, new city parks had been established, and memories of Schoenberger’s Park began to fade.

Today, the site where bands once played and people once danced, and where the Meadow Gang once roamed, has become the home of Spring House Brewing Company and the first blocks of New Dorwart and Hillside off Hazel. It’s hard to visualize now, but there used to be a “beautiful place with grass and trees” called Schoenberger’s Park in southwest Lancaster more than 125 years ago.

The George Moser Family of Cabbage Hill

Jim Gerhart, November 2019

We are all familiar with stories of immigrants who arrived in America with nothing and ended up being very successful. In fact, Cabbage Hill has had its share of German immigrants who were very successful through some combination of talent, ambition, hard work, perseverance, and luck. But no less important to the progress of the Hill were the many hundreds of German immigrants who struggled for years just to get by.

The great majority of German immigrants to the Hill in the late 19^th and early 20^th centuries were only able to achieve modest success, and for many, the fruits of their struggles only accrued to their children or grandchildren, who often succeeded because of the foundation laid by their parents’ and grandparents’ struggles. The small successes of these struggling immigrants, in aggregate, helped build a strong, resilient neighborhood. Their stories, as painful as some of them are, are an important part of the history of Cabbage Hill.

One such story is that of Georg Friedrich Mosser (George Moser), who arrived in New York City from Bavaria, Germany, on May 8, 1906. He was a single, 23-year-old laborer with $25 in his pocket. He was quickly processed through Ellis Island and got on a train to Lancaster, where he came to meet up with his friend Frank Bernauer on St. Joseph Street. George got a job as a laborer at a brewery, and started what he hoped would be a successful life in America.

Back in Bavaria, George had fathered two children (Theresa and Alphonse) with Rosa Reitberger, a woman five years his senior, who also had relatives and friends who had immigrated to Lancaster. A year later, in 1907, Rosa followed George to Lancaster, leaving her two young children with her widowed mother in Bavaria. On November 19, 1907, George Moser and Rosa Reitberger were married at St. Joseph’s Catholic Church.

In 1909, as they were getting settled in their new life on the Hill, George and Rosa brought daughter Theresa and son Alphonse to Lancaster from Germany, along with Rosa’s mother, Anna. One month after Anna, Theresa, and Alphonse arrived in 1909, George and Rosa bought a two-story frame house at 662 Poplar Street for $1,050. George and Rosa had two more children (Mary and George Henry) in 1908 and 1910. The Moser family unit had been established. Things were going according to plan.

George became an American citizen in 1912, and for the next eight years, he worked in various capacities at breweries in Lancaster, including laborer, brewer, and delivery wagon driver. He was arrested but found not guilty of assaulting a strikebreaker at Sprenger Brewery. He was elected vice-president of the Brewery Workers labor organization. By 1920, he was working at Empire Brewery on Locust Street.

Although George was having some success in the brewery business, he and Rosa had to borrow money several times in the 1910s, and each time they were unable to keep up with payments on the resulting debts. They were sued by their creditors and were just barely keeping up with the required payback plans handed down by judges in civil court.

Then, Prohibition took effect in January 1920, and it became illegal to make, sell, or transport alcoholic beverages. The Empire Brewery closed and George’s income from the brewery industry was suddenly gone. Out of necessity, George started his own business—peddling ice. He had a wagon and two horses (Jim and Dick) to pull it, and he and his 16-year-old son Alphonse began selling blocks of ice around Lancaster. His was one of eighteen ice-peddling operations delivering ice from the Lancaster Ice Manufacturing Company at Engleside. He ran his ice business out of the rear of the Moser house at 662 Poplar. To augment the family income, daughter Theresa worked as a weaver at the Conestoga Steam Cotton Mills on South Prince Street.

The ice business must have seemed promising. In 1921, George and Rosa purchased another two-story frame house and three lots at 615 Fremont Street for $1,500. They likely had to borrow money to make the purchase, but they must have thought the investment would pay off in the long run. When their daughter Theresa married Charles Kirchner in 1922, the new couple moved into the house on Fremont. George and Rosa continued to live with the rest of their family at 662 Poplar, and George and his son Alphonse continued to peddle ice. Soon, the youngest son, George Henry, was old enough to help in the ice business as well. Alphonse also worked for a while at the Conestoga Steam Cotton Mills, and daughter Mary took a job at the Follmer-Clogg silk mill on Manor Street to help out.

Despite all the hard work, the Mosers still struggled financially. Several times between 1920 and 1925, they were again unable to pay back various loans, and they were taken to civil court and ordered to pay off the loans, which they seem to have somehow done. Then, in 1924, their son Alphonse left Lancaster, and George lost a key pair of hands to help in the ice business. Again, out of financial necessity, George and Rosa decided to start a second new business—a café.

By 1927, they had established a café in the first floor of their house at 615 Fremont, and sold “light lunch and tobaccos”, as their sign on the front door stated. Daughter Theresa and her husband Charles continued living upstairs, and an extra room was rented to boarders. George brought on Philip Kirchner, a cousin of son-in-law Charles, to run the day-to-day café business. When Theresa and Charles moved out of the upstairs living quarters, George and Rosa rented out their rooms as well and the café became known as a hotel. George continued to peddle ice, with his son George Henry’s help, and daughter Mary continued to work at the silk mill. It seemed that George and Rosa and their family were finally going to be able to make ends meet, but things were about to take a turn for the worse.

George had purchased a touring car and in April 1927, he had a serious accident on Lincoln Highway East near Bridgeport. His car was demolished and he was taken to the hospital with what was feared to be a fractured skull, a broken jaw, and broken ribs. Fortunately, his injuries turned out to be only severe cuts and bruises. In October 1927, he had another accident in which his car was broadsided and overturned at the intersection of Manor and Filbert Streets. Again, he was not badly injured. Adding to the family’s problems, George, who had been a drinker for a long time, began to drink too much. Prohibition was in full effect, but George seemed to be able to acquire illegal beverages. In the same year, 1927, that he had his two car accidents, he was cited for being “drunk and running a car”.

Then, in December 1928, the police raided the café/hotel on Fremont and confiscated three cases of “high-powered beer”. It seems the Moser establishment had become one of the numerous speak-easies in Lancaster, and that George was manufacturing illegal beer for sale to his café customers. As a result of the raid, George was charged with violating the Prohibition liquor law, a crime that often carried a large fine and substantial jail time. A mid-January trial date was set, and George was released on $500 bail put up by his close friend and neighbor on Poplar, Albert Scheuchenzuber. But just two weeks before the case made it to trial, George suddenly died on January 3, 1929, at the young age of 45. The doctor attending him attributed his death to chronic alcoholism complicated by influenza.

Following George’s death, Rosa tried to make a go of the café and hotel business, but within a few years, the business had closed. Their son Alphonse, who had come back to Lancaster after his father’s death, teamed up with his younger brother George Henry to keep the ice business going, moving it from 662 Poplar to where Alphonse was living at 615 Fremont. This last of the Moser family’s two business enterprises lasted until the early 1940s.

In the less than 25 years since George Moser had immigrated to Lancaster, he had accomplished a lot. He had gotten married, bought two houses, raised four children, worked in the brewing industry, and started two businesses of his own. On the other hand, he had failed to repay loans, violated the liquor laws, and become addicted to alcohol. Although George’s immigrant experience was certainly not an unqualified success, he had accomplished enough to allow his four children to succeed. All four of the children of George and Rosa Moser got married and all four owned their own houses on the Hill by the 1940s.

George Moser’s story, with different details, has been repeated many hundreds of times over the years on Cabbage Hill, and the true history of the Hill cannot be told without those stories. Today, new immigrant families are creating their own stories of struggling to succeed on the Hill. A much more diverse group of immigrants are now calling the Hill their first American home, but their language, housing, and employment struggles are not all that different from those of German immigrants more than 100 years ago. SoWe is helping today’s new immigrants overcome their struggles, by trying to create a neighborhood that is safe, clean, and welcoming, and by providing services that facilitate their transition into their new community on the Hill.

Postscript: This story of George Moser and his family was prompted by correspondence with Robert Moser, Ph.D., former Executive Director of Catholic Charities, Diocese of San Diego. Bob, who was raised on Manor Street , contacted me after reading a history piece on the SoWe website, and expressed an interest in learning more about his grandfather George Moser’s business enterprises on the Hill. I thank him for allowing me to present this story of his grandfather’s immigrant experience. Appropriately enough, Bob’s position with the Diocese of San Diego involved helping immigrants—in this case refugees—start new lives in California.

An Old Lithograph Captures Cabbage Hill on the Cusp of Development

Jim Gerhart

Sometimes an image inadvertently captures a scene just before it changes forever, locking in all the little details that will never be the same again. A lithograph of Lancaster as seen from the southwest in 1852 is just such an image. It was drawn with such attention to detail that it is almost as good as a photograph. But in one way, it is even better than a photograph because a photographer in 1852 would not have had the specialized equipment to take an almost 180-degree panoramic photograph.

The lithograph is entitled “View of Lancaster, Pa.” It was drawn by Charles R. Parsons in 1852 and published by James T. Palmatary in January 1853. Parsons was an English immigrant who apprenticed under George Endicott in New York City, and “View of Lancaster, Pa.”, done when he was thirty-one, was one of the first works of his long and distinguished career. Palmatary, also an English immigrant, was a famous lithographer in the mid-nineteenth century, who published many innovative lithographs of birds-eye views of major American cities. Parsons and Palmatary executed their work well, as an article in the Lancaster Intelligencer of January 18, 1853, advertised their 18×34-inch product as being “drawn from nature” and having a “rich and life-like appearance”.

**“View of Lancaster, Pa.”, drawn by Charles R. Parsons in 1852 and published by James T. Palmatary in 1853.**

The “View” shown in the lithograph extends from Manor and High Streets (Bethelstown) on the left (northwest) to Woodward Hill Cemetery on the right (southeast). It shows Lancaster as it appeared in 1852 to an artist sitting on a hill with an unobstructed view of the city. It quite faithfully reproduces churches, schools, factories, public buildings, and other landmarks of 1852 Lancaster with exacting precision. It includes some landmarks that had only recently been added to the city’s skyline, such as Fulton Hall (1852), Woodward Hill Cemetery (1852), Conestoga Steam Cotton Mills (1847), St. Joseph’s Catholic Church (1849), and even the new County Courthouse (1852) shown under construction in the scene.

But even more noteworthy for the history of Cabbage Hill is what is captured in the foreground of the “View”—a nearly empty landscape that had no inkling it was about to experience a virtual frenzy of development leading to the densely built and populated neighborhood we see today. Open pastures separated by fences and tree-lined farm lanes dominate the foreground of the lithograph. There are only two buildings seen on the central part of what would soon be called Cabbage Hill—St. Joseph’s Church in the left rear foreground and a house in the left middle foreground.

The topography of the Hill, which is difficult to fully grasp today amid all the houses, is clearly depicted. One can see that Cabbage Hill is really two hills separated by a valley. The hill in the foreground where Charles Parsons stood to draw the “View” is the southern hill and the hill where St. Joseph’s Church stands is the northern hill. The valley traversing the scene from left to right is the valley in which a tributary of Hoffman’s Run flowed on its way to a larger stream along South Water Street.

Several features that are important to the history of Cabbage Hill are captured in the scene. On the far left, several rows of houses trail away from the city toward the edge of the drawing. This is the only part of today’s Cabbage Hill that was developed in 1852. It is the neighborhood of Bethelstown along the first two blocks of High and Manor Streets that was laid out by Samuel Bethel, Jr. in 1762, and that had just begun to finally take off in the late 1840s. In the right center of the drawing are the three large buildings of the Conestoga Steam Cotton Mills on South Prince Street. In the late 1840s, these three mills and St. Joseph’s Church played key roles in attracting the new residents that were about to lead to the explosive growth of Cabbage Hill.

New streets and future streets can be identified on the lithograph. St Joseph Street can be seen as not much more than a fence-lined farm lane emanating from the left side of St. Joseph’s Church and heading down to the tributary stream in the valley, where some thirty years later, New Dorwart Street would be constructed after the stream was drained into a large sewer beneath the street. To the right of St. Joseph Street, another fence-lined and tree-lined lane—Poplar Street—follows the same slope down to the valley bottom (are the trees lining this lane by any chance poplar trees?). Less well defined to the left of St. Joseph Street is another parallel fence line that looks like it might be the future site of West Vine Street. A similar fence line to the right of Poplar Street could be the future Fremont Street, as it seems to be leading to the house in the left foreground, which stands on Fremont Street today.

**Enlargement of the left side of “View of Lancaster, Pa.”, showing important features of Cabbage Hill in 1852.**

That house, partially hidden from Parsons’ view by the southern hill, and nestled on the lower slope above the valley floor, was the summer cottage of Catherine “Kitty” Yeates, daughter of Jasper Yeates, prominent lawyer and judge of late eighteenth and early nineteenth century Lancaster. The house, known as Green Cottage, was built about 1820 as Miss Yeates’ summer cottage, and was the first house other than small farmhouses in the central part of Cabbage Hill. The artist even captured the slight change in angle of the gambrel roof that can only be seen in today’s roof upon close inspection. The house was later owned by Alexander J. Gerz and used as a hotel, and it still stands today at 613 Fremont Street, adapted for use as apartments.

The buildings in the “View” are drawn with such accuracy that one can use their positions relative to each other to locate the general area where Charles R. Parsons positioned himself to make the drawing. The spot where Parsons set up his easel was the hilltop near where Frank’s Garage is located in the 600 block of Union Street. Only from that location does the alignment of the Yeates cottage with St. Joseph’s Church match the alignment in the “View”. And only there do the relationships among the buildings of the Conestoga Steam Cotton Mills (now Water Street Rescue Mission , Carter & MacRae Elementary School, and the office of the School District of Lancaster), agree with the relationships in the lithograph

Fortunately, a high-quality original of this lithograph survives in the Wheatland Collection at LancasterHistory. It currently hangs in what appears to be its original frame in the rear stair hall at Wheatland. It provides a rare glimpse of a moment in time, fortuitously captured more than 165 years ago, just before the central part of Cabbage Hill blossomed with development.